Visible Music
Volume 3 , Issue 3
(Jan, 1990 | Kislev, 5750)
It took her several minutes to take me in, a wraith in black jacket,
black trousers, black shoes, and black satin yarmulke. Despite the passing of
years, I immediately recognized the slender figure standing hesitantly in my doorway.
Heather Pasternak. Toney, grave “– the only one of my captive Sunday morning
charges whose smile at my jokey efforts had been targeted at the joke behind
the nervous smile. “Come in, come in. Damn, Heather,”
I exploded. “How on earth did you find me here?” “May I really come in?” Her voice was more cautious than timid, and her
glance embraced my dim cubicle. No answer was necessary. I closed the door
behind her. She sat at the low, wooden table where I study, eat, and doze. From the
narrow “Tea?” she nodded. “It's seven years since I left, isn't it? You look
wonderful... grown up,” I added needlessly. “I heard that you were in “It's a costume that suits me just fine these days.” She smiled while I
pointedly took her in from peasant blouse with intricate borders of Arabic
embroidery and full, floor‑length skirt and
sandals. “There's no getting away from costumes.” We sipped herb tea. Heather must have been 15 when I'd last seen her.
Daughter to Nate Pasternak, Swifton's largest Dodge
and Datsun dealer (D & D Nate), my own special
student at Temple Beth Shalom's Sunday School. Here
she sat, a cool, downy 22 or 3, who, true daughter of Nate, had dodged me down
in dim Mea Shearim. Upon what sunbright
“Does anyone remember what happened?” “Only everyone.” She grinned broadly, looking so pretty I looked down at
my mug of tea. “Who could forget? You carved yourself an indelible place in Swifton's High Holiday folklore, and dented Glazer's act
for all time. He still goes through his annual motions, the old trooper, but
you're there too, hovering over his head like a New Year's curse.” We both laughed and self‑consciousness
fell away. Old Glazer! Beth Shalom. And Rabbi Stan‑the‑Dancer.
Embalmed on the deep freeze of memory and bone, Swifton
stretched out like a cadaver. Had this lively witness searched me out at the
center of the earth to declare that that corpse still breathed? If pressed, as many as 2000 inhabitants of Swifton
would have declared themselves to be Jewish “– a wobbly 2% of the populace. A
great many of these good Jews showed little inclination to pass through the
portals of either Beth Shalom (zestfully Reform) or Congregation Brit Shalom (brittily Conservative) for 12 months at a time save, like
heavy, aromatic, autumnal blooms, to burst forth for the Holidays. Perhaps an
equal number had tossed over even these twinges of vestigial sentiment. I surely was not the first newcomer to Swifton
from the East who, setting out for Brit, accidentally strayed within the orbit
of Beth. The Shalom sister congregations were friendly, but still rivals.
Ideology isn't all serious under Western skies, but business is business. Over the years first the one, then the other of the Jewish congregations
had exercised dominion. Located very near to Swifton's
downtown, from the triumphal times in the late 1950's when it burned its
mortgage in festive immolation, Brit Shalom had been increasingly in eclipse.
By the time I arrived on the scene, it was sadly reconciled to playing a walk‑on part in Jewish communal life. Bar Mitvzot had become rare; its communal bread and butter was
now funerals. Its mortgage‑free, center city
location held it in a mortal vise. The roster of bulwarks at Beth Shalom included Messrs. Gonzalez, Paretti, and Ingersoll. Among the more active on “No need for apprehension, Committing AB4CFG2MNPSWZ to memory, even years later I could retrieve my
8th grade roster at will: Apple, Berger, Bernadin,
Blumstein, Burns, Cowan, Fischer, Greene, Gutierrez, “You can stop wondering, “ volunteered Heather‑the‑P
princess. “When he slipped out on me two years ago, Mark Blumstein slithered
away to “I can remember you exactly as you looked my first Sunday on the job.” “And you think I haven't changed a bit?” she asked coyly. “Oh, how
wrong, Jerry Brownstein, you would be. But how different you were! You never
came back after that crazy Rosh Hashana show you put
on. You just checked out on us. Didn't it occur to you that some of us needed
you?” I was flattered. “I couldn't stay. From then on, everything changed for
me.” I used to arrive at that glassy, angular structure on Swifton's fashionable North End one‑half
hour before class. Beth Shalom, beneficiary of a heavy mortgage that energized
the talents of is problem‑solving congregants,
boasted the spiritual guidance rabbi‑pillar
Stanley Dancer, my instinctive adversary. Yet one more genuine distinction:
Beth Shalom held title to the third oldest Jewish cemetery west of the The only visible cloud in Stanley Dancer's heaven “– I counted for the
merest whisp “– was the vigorous shadow of his
predecessor in Shalom's pulpit, Rabbi Seymour Glazer,
who retained a toehold on community affairs through his office at U.J.A. and
his weekly column of inter‑denominational uplift in the Swifton Owl‑Democrat.
He seemed a wholly benign figure, but Dancer felt uneasy about the presence of
this cagey focus for free‑floating, never‑quelled congregational hostility. The situation
was less than ideal, but there was nothing for it. “Glazer's now too old to matter. Dancer has survived,” Heather noted
briskly. But he wasn't then. Not then. On the morning of Rosh Hashana, with his But what chasidic tale could possibly speak to
so many of the progressive Jews of Swifton, most of
whom would grimly cringe were they to glance through my narrow Jerusalem window
to a street scene where dark‑suited figures
never tire of their music‑box scurrying? It's
one that's very rich in variants, but this is how Rabbi Glazer, after
pausing until the only other sound in the building was the thought‑provoking
hum of the air conditioners, made his resinous delivery: “Many years ago, my dear friends, in the Pale of Settlement of Russia,
in the tiny hamlet of Plotsk, not far from where my
very own grandparents of blessed memory once lived, there was a community of
notably pious Jews. They were poor in material possessions, but rich in things
of the spirit; in particular, their special pride was their rabbi who was
renowned in all of “One year, at the time of Rosh Hashana, they
all stood in their humble synagogue silently praying, praying prayers so
silently you could almost trace their progress in the shape of each man's
breath as it rose to Heaven. Among them was a young lad whose attention was
diverted by the shadow of a branch of a stunted tree that grew just outside a
window of the small wooden synagogue. Perhaps, like many Jewish children down
through the ages, perhaps like you yourselves were as children...” The old
rabbi paused a moment to smile benevolently, then swept on. “...perhaps the
spirited youngster was a trifle bored. Whatever the cause, he slipped from his
pocket a simple wooden flute”–quite forbidden”–and, to everyone's astonishment,
he proceeded to play the piercing lilt of Kaddosh,
Kaddosh, Kaddosh “–
Holy, Holy, Holy”– a melody he knew well. “His father was mortified, and you can well imagine the congregation's
consternation. Nevertheless, they were so struck, so gripped by the sheer
loveliness of his playing that until he finished his tune, no one moved to
interfere. “For five minutes the lad's instrument besought God's favor and mercy.
Then, like a knife, his father's palm cut the melodic strain. He wrenched the
offending flute from his son's hands, and started to drag the tearful but
unresisting boy from the crowded, humble building. Everyone was aghast and cried out wildly, but above all the din
resounded the piercing command of their aged rabbi: “Don't touch the lad! His
visible music is the purest of prayer. It ascends straight to Heaven's Ear and
has opened the very gates of mercy. Surely G‑d
is more pleased with the lad, who doesn't know all the prayers but whose heart
is pure, than with the prayers of all the rest of us together.” Rabbi Glazer would deliver this annual homily with head aloft and eyes,
almost as if reading the underside of his lids, firmly shut. Only towards the
end would he look out seemingly to decipher the engraving on the very heart of
each congregant. Every man and woman was touched. Intuitively, Glazer had
appropriated something ambiguous, something profound in each beckoning soul
that gravitated toward his tale. Then, as the Stealthily, the “It was the time,” she began, then stopped and started again. “I wanted to. I also had something to give to you...though it seems
almost foolish now.” She produced from a bag a simple, dark flute “– a
shepherd's halil “– and set it gravely on the
table between us. “I got it for you the same day that I bought these native clothes.”
I held it in my hands, felt its smoothness and taper, set it down. “Thank you,” I muttered, then waited. “Also, there is something you should know, that I have to tell you...but
not yet.” There was another agitated silence. “Put up some water please while I daven ma'ariv
<193> say evening prayers,” I amended hastily. I moved to a corner of the room. “There are some crackers and jam on the
shelf above the sink. Open a fresh jar.” As I prayed, I was achingly aware of
Heather moving about my tiny slash of a kitchen. In a short while we resumed our former positions at the table now set
with tea, crackers, strawberry jam, and margarine. “Look!” she exclaimed.
“Something for you from the Old Country.” I took from her hands an old‑fashioned
box of raisins, a Sun Maiden in my palms. (Where was the flute? There, set on
the bookshelf behind her.) We laughed, then ate almost in silence before taking
up the thread of recollection. The New Year period of introspection had fallen upon the Jewish
community of Swifton: greeting cards were exchanged,
synagogue tickets sold, both Shaloms scrubbed and
tidied. I had returned to college from my summer vacation in the East to a
freshly painted classroom. Once again I was hired to tend to the spiritual
growth of the AB4CFG2MNPSWZ link in the golden chain of generations. My 8th
graders had grown into well brash 9th grade gigglers. But among them sat
Heather: poised, regal, pre‑sexy, my Sunday
secret portion. Having imbibed all they could usefully absorb about their native Judaism,
the 9th graders were thought ready to be shepherded about the map of ecumenical
Swifton. The purpose: to observe their peers at
Christian Science, U/U, Buddhist, liberal Methodist, and Mormon worship. Each
of these youth groups scheduled reciprocal visits to take in the spectacle of
Jewish adolescents at our prayer “– actually doing it. Since
Friday evening was..well...inexpedient, once a month my class arranged
“alternative services” for young visitors. While I was trying to prepare the
class for their opening performance, Rabbi Stanley D. moseyed over. After
listening for a while, he suddenly intervened; his apprehensions had been
confirmed. “You know, guys, that mitzvot theology
is really out‑of‑date. It's just not our
bag. Nowadays we follow traditions that each of us find meaningful. Our Jewish
thing is meaning and people and uh values.” My three‑hour stint was just about over
anyway. I just packed a few books in my pack and pedalled
home. I was obviously subversive as hell, and Dancer, finally on to me, would
try to undercut anything I might possibly achieve. Still, I needed this job to
pay for “extras,” and we both knew that there was no one to replace me with. I
liked the kids and thought I could hold on, but as things were to work out, I
was never to make it past the minions of Mary Baker Eddy and the third Sunday.
The shadow of judgment fell over the calendar together with the High Holidays. The morning of Rosh Hashana broke warm and
pleasant. The evening before had been sonorous and brief. Rabbi Dancer tossed
up something about the Jewish home being a universal bank of traditions from
which the Jews drew interest, dividends, interest‑free
loans “– all this deftly counterpointed to the Days of Awe, the Crash of '29,
and the rising rate of divorce. This last was a daring stroke of realism: of my
fair sampling, fully two‑thirds of AB2FGNWZ
issued from divorced homes. But Dancer closed on an elevated pitch likely to
cancel all vendetta: “And as we enter upon these ten most sacred of days, we
all search our hearts and ask forgiveness for our shortcomings and imbalances
in the certainty that His bank of compassion and understanding is without end,
is fully insured against forgetfulness and default.” His eyes swept the crowded
room. “He is our God. There is none else.” Morning services began promptly at 9. I arrived a bit early and took my
seat near the back. By a quarter after, Temple Beth Shalom, a bride in new‑cut flowers, new‑bought
jackets, suits and dresses, shafts of shimmering purple and gold that stained
the cut‑glass windows, and a mixed chorus of Swifton's finest interdenominational voices was nearly
filled with natty professors, smart merchants (there sat gold‑ringed
P, pere to the prim princess), dapper accountants, a
range of medical expertise, exuberant entrepreneurs, attorneys and all their
wives and beloved. On the raised platform sat Sol Shiffer
(seemingly for decades, esteemed President of the Congregation), the two
esteemed rabbis, and a cantor (loser of no esteem for being an emigrant from (“When I waved at you,” she said, “you were too much in your own funny
world to notice.”) I gripped my siddur and, with the rest,
performed as I was directed: I rose; I sat; responsively, I read a psalm; I
turned to page 42; I rose again; I recited; I touched down again to my chair; I
was appreciative of Swifton's finest choir, no”–I
didn't wave back. My siddur slipped through my
fingers to the floor (do I wake or sleep?). I retrieved it, kissed its cover
automatically, looked about in embarrassment, and speedily turned to the right
page. Rabbi Glazer floated forward to speak. Substantial community figures in
bright plaid jackets approached the Torah. Daughter of Nate looked very grown
up. Cantor of Israel graciously aided a community pillar recite the
benediction. Everything, everyone diminished, shrank; then threatened to fade
entirely into blackness, then blank whiteness. And then I heard nothing at all.
Like a silent comedy. I smelled licorice. Lips twisted and distorted, and arms
jerked like the limbs of a dazed puppet. Something queer was happening around me, a quickening of attention.
Dancer gestured broadly toward Glazer whose flow of words had damned at the
source. His lips pulsed, his eyes were turned toward Heaven; it was I on
my feet, my lips that moved. Why, at that startling moment, did the
microphone choose to lapse into a din of hums and EEEEZ? Then silence. Glazer
had shed his mystic calm. White‑maned, red‑faced, he clutched at the mute instrument as if
it were the neck of chicken; he was pointing in fury towards me. All the
while, I was reciting “– yelling? “– the verses that follow the shema “– wrong, I sensed vaguely, for the occasion.
But I was implacable, a great black whale propelled by marvelous momentum. At my left, an elderly woman seemed to sink into the waves, but in the
distance, others navigated towards me. Dancer, weird accompanyist,
was gesticulating garishly from the dais. He looked completely out of his mind,
but Good Ol' Sam Chong had pushed his way past
immobilized bodies to my side. I flashed him a conspiratorial wink, but kept up
the beat of the Shema to its very close. Then
gold and purple motes exploded from Dancer's ears, his hair, his mouth. “Don't touch him! Give him air.” That was funny, and I rocked until,
with three ballet‑like steps, I collapsed into
the arms of attorney Chong. As if a zipper scratched across my lids, the world
turned black. “You looked like you were modeling for a Mexican crucifix,” laughed
Heather. In the bathroom they didn't know whether to treat me as disorderly or
demented. Water splashed on my face; then a cup was passed for me to drink. I think
I was laughing. Finally they seated me on a toilet seat. I could tell from the hummy beeps that the order of service for Rosh Hashana had picked up from the point it had been rudely
interrupted. The words were indistinct, but the tones were surely those of
recomposed Rabbi Seymour Glazer. I was permitted to make my departure in peace.
I've travelled pretty far. Divorced (not from Blumstein), Heather Pastenak
Peterman (still a P princess) was doing graduate work at UC Santa Barbara:
history and Jewish studies “– a cross disciplinarian. “You were, of course, my
favorite, my pet Sunday scholar: very intense, serious. I'm very pleased that
you came. But...?” Yes, there was a reason. Reasons. Something queer but noteworthy to
communicate. It had arisen from research on her dissertation: “Jewish Swifton “– An Exemplary History.” “Jerry, until two days after Rosh Hashana the
year after your...uh...outburst, something unprecedented happened, or
rather, didn't happen in Swifton. It's an
inexplicable, quirky datum that at first I tended to discount, but later I had
to take pains to verify. It checked out. For 12 months not one overweight
dentist died from heart failure; not one tired, old Jew at Cedars of Kineret from cancer, stroke, or desuetude; not a single teenaged
Goldman or Jewish Martinez rollicking home soused or high in his dad's Volvo “–
not a single one of Swifton's prudent Jews who'd
reserved a plot in the Jewish cemetery actually occupied it. “The odds against that, Jerry, are simply prohibitive. There's no way to
demonstrate a negative, but statistically it's more like impossible than
improbable. When I found out, I had to see you again “– call it research, if
you like “– but also to see you again to tell you what did not happen. No, no
one there made any connection, though it was Sam Chong “– he asked me to send
warm regards “– who first clued me into the peculiarity. He called it a blip.
It's probably the only really significant finding in all the 376 pages of my
thesis, but I suppose the best I can do is to mention it as a blippin' aberration in a footnote. No other way to fit it
in. But you. Jerry Brownstein, will be a cameo player in the definitive
history of the Jews of Swifton. How does that
touch you?” I really couldn't say. Surely every year, as the High Holidays descend
upon them, the bulwarks of Swifton Jewry will
scarcely help but inwardly recalling the gaucherie that once I visited upon
them. That very next year, as the ghosts of the Jews of Plotsk
were invoked by Rabbi Glazer to entertain and to instruct their Jewish,
fractionally Jewish, or problematically non‑Jewish
great‑grandchildren of Swifton,did
neither rabbi apprehend the shocking absence of seats emptied by the toils of
the Angel of Death? Did neither wonder even passingly
whether it might have been for a blessing after all? And can it truly be that
Rabbi Glazer has not ever pondered the grounds of the peculiar officiousness of
his parable of the boy and flute, a tale which, at the very least, helped to
extend his own career by nearly a decade? I, for one, still cannot say. The further wonder, however, is that prim
Heather, my special charge, pursued the scent of the mystery by a route of her
own devising to somber Jerusalem. That is good enough. Tomorrow night we plan
to attend an organ recital “– a piece of unfinished business from the 9th grade
curriculum. She talks of enrolling “for a spell” in one of the women's yeshivot. O Nate, Fate, Venerable Rabbi of Plotsk,
smooth Sam Chong, Holy One of Jerusalem, and...yes...Rabbi survivors Dancer
& Glazer”–all that have played a riff or measure in this life of my mine, I
vow not ever again to yield up my heart either to the blankness of temptation
or the black ditty of despair. Haim Chertok
made aliyah in 1977 and lives in Yeroham,
Israel. His book, Stealing Home, was awarded a National Jewish Book
award for 1989. His most recent work, We Are All Close: Conversations with
Israeli Writers, was published by |